Hollywood likes shades of gray mostly in very black-and-white terms. The virulent racist who becomes a civil rights supporter.
The raging narcissist who turns into a giddy philanthropist. The former criminal evolved into a community organizer. The reason you probably won't see anybody attempt a narrative remake of Brad Lichtenstein's documentary When Claude Got Shot is that its shades of gray can't easily be transformed into starker colors.
This is what makes When Claude Got Shot consistently engaging and frequently provocative, but maybe also a little frustrating.
Lichtenstein's take isn't completely bloodless, but it's certainly muted on subject matter that maybe required more spark. Of course, when I pitch the movie to you, the spark of.
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