Owen Gleiberman Chief Film CriticThere’s a lot of high-speed activity in your average children’s movie — the slapstick-on-steroids physical comedy, the rapid-fire dialogue.
All of which can be exhausting (see: “Spies in Disguise,” the “Rio” films, “Cars 3”), though it can also be creative, as in the “Toy Story” films or “Sing” or the outsize digital spectacle of “Ralph Breaks the Internet.” The frenetic spirit of “Sonic the Hedgehog” feels formulaic, but it certainly props your eyes open.In that light, it’s unusual to encounter a mainstream kiddie flick as shambling and relaxed and old-school quiet as “The One and Only Ivan.” We are, in fact, so used to seeing children’s entertainment fueled by the ADD impulse that you may think, for a.
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