Owen Gleiberman Chief Film CriticIn the most outlandish scene in “The King’s Man” — if not the strangest scene of the year — Orlando Oxford (Ralph Fiennes), a sneaky aristocrat who will go on to form the first British secret-service agency (and is already acting like a rogue spy), shows up for a meeting with Grigori Rasputin, the fevered mystic and demonic holy man of Imperial Russia, played by Rhys Ifans as if he were starring in a historical thriller directed by Mel Brooks.It’s the eve of World War I, and Orlando intends to exploit Rasputin’s considerable sway over the Tsar to convince Russia to enter the war.
Hidden under Christlike hair and a fuzzy black beard, eyes ablaze with eroticized cunning, his Draculoid Row-shun accent dripping.
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