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Billie Eilish packs a punch, again, on ‘Hit Me Hard and Soft’: review

Billie Eilish dropped her groundbreaking, Grammy-winning debut album, “When We All Fall Asleep, Where Do We Go?” — there was a seismic shift in pop.At just 17, she emerged as a goth-pop princess whose spooky, synthy sound was eerily prescient of the doom to come when the pandemic shut the world.And the Billie effect was felt with everyone from Olivia Rodrigo to SZA to, yes, even Taylor Swift. While Eilish broke out of the “Bad Guy” groove of her biggest hit on her second album, 2021’s “Happier Than Ever,” there was still no stopping her power.And even when she made the most anti-blockbuster ballad for last summer’s “Barbie” smash, “What Was I Made For?” went on to win both the Song of the Year Grammy and the Best Original Song Oscar — even though the single didn’t even crack the Top 10.Now 22, Eilish is hot off of accomplishing that rare Grammy-Oscar double as she releases her third LP, “Hit Me Hard and Soft” — and she continues to go against the mainstream.In fact, she chose not to release any singles leading up to the album, wanting the collection to be consumed as a “family of songs.”Forget the fact that listening to an album from start to finish in the streaming era is a pretty radical concept.And when the LP gets off to the sleepiest of starts with the dreamy “Skinny” — where Eilish displays her new thing for strings, courtesy of the Attacca Quartet — you might think you accidentally shuffled it to the end.Just like Prince rebeled against the “Purple Rain” mania with “Around the World in a Day” and Radiohead tried to shake off the “OK Computer” masses with “Kid A,” Eilish has refused to play to the basic crowd to meet any sort of commercial expectation.And yet, it still works for her.
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7 fiercest moments in Beyoncé’s ‘Renaissance’ film, including her surprise new single
Beyoncé asked rhetorically on 2011’s “Run the World (Girls).”And in 2023, there’s no doubt that it has been Bey and Tay — Taylor Swift, of course — who not only have had blockbuster summer tours but have followed that up with theatrical film releases this fall that have been bigger events than any Marvel movie.But while “Taylor Swift: The Eras Tour,” which opened to boffo box office in October, is more of a straight-up concert flick, “Renaissance: A Film by Beyoncé,” which hit cinemas on Friday, doubles as a documentary that gives you a behind-the-curtain look at the notoriously private pop diva.For a superstar who basically stopped doing interviews years ago, this is a rare glimpse at how the “Break My Soul” singer makes the magic — and motherhood — happen. Even if, as the film’s director, she’s controlling her own narrative.And if you came for a cozy-in-my-seat close-up of all the costumes and choreography, there’s plenty of that too over the nearly three-hour Beypic.Here, we break down the seven fiercest “Renaissance” moments — in order of appearance — both on and off the stage.Beyoncé gets real about “the mental strength and the mental stability required to survive” as a black female boss operating at the highest of levels in the game.“I feel like, being a black woman, the way people communicate with me is different,” she says.
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