Susan Sarandon's Sexy Copper Perm in The Witches of Eastwick Deserved an Oscar

Furious Scots gathered in a street last night and demanded a man they believed to be a sex offender was removed from their street. Rumours began to circulate on Facebook that a ' notorious sex offender ' had recently been rehoused near the Danderhall area in Midlothian.

A man has taken to the internet to share the mistakes that he made which has left his wife too embarrassed to drop their child off at school. While he says that his mistakes were just innocent slip ups, he has left some social media users torn.

Perthshire’s Blair Castle features on a spook-tacular new witch trail created by VisitScotland.

Variety first reported the news.

Clayton Davis It’s more than prosthetics. More than the comeback. Brendan Fraser’s work as Charlie in Darren Aronofsky’s “The Whale” is a profound performance for the ages. The A-list star that brought us “The Mummy” and “Encino Man” goes above and beyond the calling of an actor, showcasing the vulnerability of a broken, 600-pound man. Like Aronofsky’s resurrection of Mickey Rourke in “The Wrestler” (2008), Frase delivers one of the best performances of the year. “The Whale” will surely land him an Oscar nomination for best actor. The drama is a stark, dour examination of regret and addiction, wrapped into the script written by Samuel D. Hunter, who adapts his play of the same name. Distributed by A24, “The Whale” tells the story of Charlie, am obese gay man who reconnects with his estranged 17-year-old daughter Ellie (played by Sadie Sink) after leaving her and her mother for his younger male lover.

Clayton Davis Three movies into his film career, Harry Styles’ ability as an actor continues to improve with each of his outings. Beginning as a young soldier in Christopher Nolan’s “Dunkirk” (2017), he returns to the silver screen with two films this year. In the first, he’s the charming husband to Florence Pugh in “Don’t Worry Darling,” with the press tour that keeps on giving. In the second, he portrays a closeted gay police officer in Michael Grandage’s drama “My Policeman” from Amazon Studios, featuring his strongest turn yet as an actor. But is an Oscar nomination in his future? Singers-turned-actors have had an inconsistent road to the Academy Awards. While there are successes such as Cher (“Moonstruck”) and Jennifer Hudson (“Dreamgirls”), Academy voters sometimes make actors prove themselves for a while to show they’re the real deal. Known as a “pretty boy,” Styles’ celebrity status does present an obstacle to overcome with awards voters. As Tom, the internalized conflict that Styles conveys is executed effectively, and if he decides to campaign and make a play for his first Oscar nomination, it will have to begin with Amazon choosing to submit him for supporting actor attention – which is not category fraud.

An honest fan. Jennifer Lawrence is an outspoken reality TV fan, and she didn’t hold back her opinions about The Real Housewives of Beverly Hills season 12 and star Erika Jayne.

Clayton Davis Almost 30 years after “The Nightmare Before Christmas” (1993), Henry Selick returns with “Wendell & Wild,” another stop-motion animated sensation that’s sure to generate acclaim throughout the industry. Co-written by Oscar-winning screenwriter Jordan Peele, the Netflix feature film debuted at the Toronto Film Festival and may have asserted itself as the new frontrunner for best animated feature. Based on Selick and Clay McLeod Chapman’s unpublished book of the same name, the film tells the story of two scheming demon brothers, Wendell (Keegan-Michael Key) and Wild (Peele), who enlist the aid of a 13-year-old Kat (Lyric Ross) to summon them to the Land of the Living. It also features the voice talents of Angela Bassett, James Hong and Ving Rhames.

Clayton Davis Steven Spielberg brought his semi-autobiographical film, “The Fabelmans,” to the Toronto International Film Festival on Sept. 10, his first feature ever to debut at TIFF. To say that Spielberg is performing at the top of his game is no hyperbole. This dramatic opus, which pulls at the heartstrings, could bring Spielberg his third directing statuette (after “Schindler’s List” and “Saving Private Ryan”), and maybe his second for best picture (after “Schindler’s List”). “The Fabelmans” is the story of Sam Fabelman, a young boy who falls in love with cinema, but finds himself fighting family turmoil to keep his dream alive. Spielberg’s direction is the glue that holds “The Fabelmans” together, and the film touches on many of his landmark styles, nodding to “E.T.: The Extra Terrestrial,” “Raiders of the Lost Ark,” “Saving Private Ryan” and more.

is paved with aspirations, but the much-vaunted label could actually become a reality for one Ms. Taylor Swift (provided she gets cast in a Broadway show in order to nab that Tony, which, by the way, is something I'd be very interested in seeing).The singer screened her romantic drama—don't call it a music video!— this summer at the Tribeca Film Festival and today, September 9, at the Toronto International Film Festival (TIFF).

Leo Barraclough International Features Editor Myriad Pictures has acquired the international rights to “Zátopek,” Czech Republic’s 94th Academy Award Best International Feature Film submission. Gravitas Ventures has North American rights to the feature. The deal was negotiated between John McGrath of UTA, on behalf of the producers, and Scott Bedno, senior vice president of sales and acquisitions at Myriad Pictures. “Zátopek” is about the greatest Czech athlete of all time, four-time Olympic champion Emil Zátopek. It is the seventh film by prolific Czech director David Ondříček. His film “In the Shadow” was the Czech Oscar submission in 2012.

Leo Barraclough International Features Editor Production, finance and sales company Film Constellation has boarded sales on the upcoming romantic thriller “Haunted Heart” by Academy Award winning director Fernando Trueba (“La Belle Époque,” “The Queen of Spain”). The film stars Academy Award nominee Matt Dillon (“The House That Jack Built”), Goya-nominated Aida Folch (“The Artist and the Model”), and Juan Pablo Urrego (“Memoria”). The English-language film is set to start shooting in Greece in September. The film is set on a beautiful remote island in Greece, where young and spirited Alex joins the team of a boutique seaside restaurant as their new waitress. Despite her femme-fatale charm quickly winning the heart of the charismatic Enrico, she instead falls for the enigmatic restaurant manager Max, a reclusive American, who settled on the island decades ago.

In a few days Kenan Thompson will host his first Primetime Emmys show, but he’s not afraid of an ‘Oscar slap’, he says.

Pat Saperstein Deputy Editor The Telluride Film Festival wrapped on Labor Day, with many of the season’s mystery films getting a first look from critics, journalists and festivalgoers. But what did we learn from the four-day fest? Do we have an Oscar frontrunner? Four narrative films world premiered in the Colorado mountains – “Women Talking” from MGM/UAR, “Empire of Light” from Searchlight Pictures and “Lady Chatterley’s Lover” and “The Wonder” from Netflix. Other Venice titles also made their North American debuts such as Netflix’s “Bardo” and Focus Features’ “Tar.” Here are five things we learned at Telluride.

Super has taken North American rights to Colm Bairéad’s award-winning drama The Quiet Girl (An Cailín Ciúin), which was recently announced as Ireland’s entry for Best International Feature Film at the 95th Academy Awards and selected for the 2022 European Film Awards.

Leo Barraclough International Features Editor Alexander Rodnyansky, the producer of Oscar nominated films “Leviathan” and “Loveless,” has boarded the next project from Kazakh director Adilkhan Yerzhanov (pictured), whose film “Goliath” has its world premiere at Venice Film Festival on Thursday in the Horizons Extra section. The new project, “Nosorog,” tells a contemporary story of Tamara, a distraught woman on a desperate search for her missing son in a small town consumed by violent riots. To help get her son back, she hires a shady detective, Brayuk, with unexpected consequences. Rodnyansky joins producers Aliya Mendygozhina and Olga Khlasheva on the project, which is a co-production between the State Center of Support of the National Cinema of Kazakhstan and Kazakh film company Golden Man Media.

EXCLUSIVE: On the heels of Oscar-winner Phil Tippett’s directorial debut Mad God, the film’s producers Tippett Studio and Ultra 8 Pictures are teaming up on Tippett Productions, a new Canadian-based venture.

HBO Documentary Films has acquired U.S. television and streaming rights to Oscar winner Laura Poitras’s film All the Beauty and the Bloodshed, fresh from its world premiere at the Venice Film Festival and sneak preview at Telluride.

Daniel D'Addario Chief TV Critic The prospect of Susan Sarandon leading an “Empire”-style music drama set in the world of country music is an instantly alluring one. Not merely is Sarandon a compelling screen presence (one who FX’s “Feud” proved works well on TV), but the particular contours of her public image as a stalwart leftist activist would seem to rub up intriguingly against her character, a survivor in the culturally conservative world of Nashville. Bad luck for viewers, then, that Sarandon, largely at a remove from the story for plot reasons, is such a minimally used part of Fox’s new drama “Monarch,” and that the elements that supersede her hold such little interest. Dottie Cantrell Roman and Albie Roman, played by Sarandon and Trace Adkins, are the parents to three children, two of them rival vocalists (Anna Friel and Beth Ditto); Dottie and Albie’s son (Joshua Sasse) must try to hold the clan together despite his sisters’ egos and need for validation.

Fox has waited a long time for its Monarch.

FOOTBALL hero Ian Wright has scored his first role in a major movie — a cameo playing himself. The ex-Arsenal striker, 56, was approached directly by Oscar-winning Brit Daniel Kaluuya to appear in futuristic Netflix flick The Kitchen. And the Match of the Day pundit, who was Arsenal’s record goalscorer, was quick to seize the chance.

Susan Sarandon admits that that she knew nothing about country music before beginning work on Monarch, Fox’s upcoming sudser that the producers describe as “Empire meets Succession.”

Writer/Director Florian Zeller had such great success with his 2020 film adaptation of his stage play, The Father which won six Academy Award nominations including Best Picture, winning for his and co-writer Christopher Hampton’s screenplay, as well as Best Actor for Anthony Hopkins, that he was able to move very quickly in getting a film version going for his next play, 2018’s Le Fils. The result, The Son, premiering today at the Venice Film Festival in competition, is the second of a three part stage and film series on stories dealing with mental health, in this case a troubled 17 year old boy who has been deeply affected by the divorce of his parents and is suffering severe problems. Of course The Father dealt with one elderly man’s devastating descent into dimentia and the effect that had on his family, and it was an intimate film production for Zeller, largely taking place in the man’s apartment, yet still managed to be cinematic despite its stage origins.

Tilda Swinton takes over the red carpet in a dazzling lavender gown at the premiere of The Eternal Daughter during the 2022 Venice International Film Festival on Tuesday (September 6) in Venice, Italy.

Jennifer Lawrence is opening up about suffering from 2 miscarriages: one in her early 20s and one after she was married to her husband Cooke Maroney.

Naman Ramachandran Vice has signed a worldwide license deal for director and producer Jason Loftus’ “Eternal Spring: The Heist of China’s Airwaves,” Canada’s entry in the Oscars’ international feature film category. Sales agent Sideways Film, which represents the production on behalf of Lofty Sky Entertainment, has also scored domestic deals on the film with Arte for France and Germany, RTS for Switzerland, VG for Norway, Current Time for Russian language European territories and Al Jazeera Doc for the Middle East and North Africa. Through the lens of celebrated comic book artist Daxiong (“Justice League”), the documentary explores a plot by Falun Gong adherents in China to hack state television and expose repression.

Clayton Davis There’s no denying Olivia Wilde can direct the hell out of a movie. And with her latest behind-the-camera effort, “Don’t Worry Darling,” the actress turned filmmaker constructs a sexy and suspenseful thriller. It’s a film that should resonate with moviegoers, who may show up to check out an easy-on-the-eyes ensemble that includes Florence Pugh, Harry Styles and Chris Pine. At the very least, it’s a film that will continue to generate plenty of chatter (there’s already a ton of pre-release headlines being made, some of them even about the movie itself). However, like most popcorn thrillers, the chances of the Academy checking the film off on their ballots is as farfetched as the movie’s attempt to make Harry Styles look unattractive in one critical scene. Nice try but I don’t buy it.

EXCLUSIVE: Oscar-winning star Mark Rylance and his wife Claire van Kampen, a playwright, composer and director, have teamed with Steven Spielberg and his Amblin Entertainment on a TV project, the actor revealed to Deadline.

Clayton Davis Roughly a year ago, Kenneth Branagh’s “Belfast,” launched out of Telluride, and there was something about that film’s emotional expansiveness and the irresistible pull of its unapologetic nostalgia that made it clear it was going to be a force to be reckoned with at the Oscars. I got the same sense watching Sam Mendes’ “Empire of Light” at its Telluride premiere this past weekend. It has a similar open heartedness even if the setting for the movie is an English seaside town and not the war-torn streets of Northern Ireland. Cinema seeps through “Empire of Light.” Mendes’ latest doesn’t just swoon for the images that flicker across screens; it also pays tribute to the physical buildings that house our most cherished artform and the sense of escapism that gets triggered every time you sit down in one of those palaces. If you are a movie lover, it’s hard to resist “Empire of Light’s” charm and stylized beauty.

As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.

Clayton Davis “Tár” is a musical, but not in the way you might think. Set to a rhythmic beat of classical orchestration, writer and director Todd Field triumphantly returns to the director’s chair some 16 years after “Little Children” (2006) and 21 years after his debut “In the Bedroom” (2001). In the process, Field proves the third time is the charm and “Tár,” which screened at Venice and Telluride, has emerged as a major Oscar contender. At the forefront of this epic drama is another fiery and near perfect turn from Cate Blanchett, who is poised to earn her eighth acting Oscar nomination and could even nab a potential third statuette.

Clayton Davis If Colin Farrell doesn’t get an Oscar nom this year for “The Banshees of Inisherin,” he never will. That was all I could think after watching his work in Martin McDonagh’s latest dark comedy. And who would have thought that Farrell and Brendan Gleeson would become the perfect comedic duo of our day? I thought the pair’s magic in “In Bruges” (2008) was a one-hit wonder, but with “The Banshees of Inisherin,” the two men have recaptured their old alchemy. The latest pitch black romp from “Three Billboards outside Ebbing, Missouri” director and scribe McDonagh harnesses the simplest premise in recent memory: a man tries to understand why his best friend doesn’t want to talk to him anymore. What unfolds within that premise are moral complexities and refreshing takes on love and forgiveness.

Clayton Davis Could Sarah Polley join the ranks of Jane Campion, Chloe Zhao and Kathryn Bigelow by becoming only the fourth female filmmaker to win an Oscar for directing? Based on the rapturous reception that “Women Talking” received at the Telluride Film Festival on Friday, it certainly seems possible. Even if that doesn’t happen, the ambitious film, a drama about a group of women in a tight-knit religious community grappling with a legacy of abuse, has put a stake in the ground as the festival’s first slam dunk best picture candidate. In fact, I think it’s going to be a contender across the board. In a Telluride lineup that is heavy on documentaries and Cannes titles, Polley’s film is one of only four World Premieres for narrative features. But what a launching pad Telluride is shaping up to be for the film and its director, a critical favorite for her work in front of the camera in “The Sweet Hereafter” and behind with the likes of “Away From Her.” The premiere for “Women Talking” kicked off with a tribute to Polley, who was presented with the Silver Medallion by Frances McDormand, who produced and stars in “Women Talking.”