Spike Lee loves cinema and he loves making movies, but, perhaps more than either, he loves filmmakers who are willing to share that kind of love for the art and its craft.For Lee, it began in the early ’80s at NYU’s film school, where his classmates included Ernest Dickerson and Ang Lee, and where Jim Jarmusch, two years his senior, gave him the confidence to believe that his goals were achievable.
It was in 1985, however, that he had an epiphany, when NYU old boy Martin Scorsese returned to his alma mater with a print of his new film After Hours. “After the screening,” Lee recalls, “he didn’t run out of the theater.
He stayed around. I went up to him and told him my name and what I wanted to do. In that very moment, Marty took an interest
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