Caroline Framke Chief TV CriticAs anyone who’s even fleetingly dipped into the vast, storied genre of the British spy thriller can attest, there are a few different games afoot in “Slow Horses.” What looks at first like a story of restless, demoted spies finding their purpose gets quickly twisted up in MI5 politics.
Then, a couple of hours into the six-episode season, the show tries to turn everything we thought we knew inside out. With its starry cast, handsome budget, and slick cinematography, the new Apple TV Plus drama (based on a Mick Herron novel and executive produced by Graham Yost) works hard to differentiate itself from every other MI5 narrative we’ve seen before.
By season’s end, “Slow Horses” feels more familiar than truly innovative, albeit with some sharper acting and jokes than most others it’s following.
Case in point is the show’s choice to cast Gary Oldman as Jackson Lamb, a jaded spy who spends most of his days drinking and mocking his charges (i.e.
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