‘Leonora addio’ Review: Directing Alone, Paolo Taviani Sketches a Slight Farewell to His Late Brother
Peter Debruge Chief Film CriticIt’s no spoiler to say that Luigi Pirandello dies nine minutes into “Leonora addio.” This alternately playful and lugubrious work of reflection isn’t really about the controversial Italian writer’s life at all, but rather his legacy, and in a less literal yet ineluctable sense, that of film directors Paolo and Vittorio Taviani.Over the course of half a century, the two cinematic siblings made movies together — including 1985’s “Kaos,” an omnibus-style collection of five Pirandello stories — bookending their career together by winning top prizes at the Cannes and Berlin film festivals (for “Padre Padrone” and “Caesar Must Die,” in respectively). And then, in 2018, Vittorio died.