Lullaby” and “Utama,” shot on an awe-inspiring Bolivian Altiplano, swept the board at a historic, 25th Málaga Film Festival which said a lot about the current state of the Spanish film industry.
Running March 18-26, the Festival proved a vibrant affair, galvanised by renewed interest in the Spanish cinema after a buoyant reception for its major movies at Berlin, as well as the joy of proving the first time many industry attendees had seen each other in person in two years and backing from Spain’s AVS Hub plan for a vastly larger industry presence.
In Alauda Ruiz de Azúa’s “Lullaby,” coming after Sundance hit “Piggy” and Carla Simón’s Berlin Golden Bear triumph “Alcarrás,” Spain would look to have a third art pic breakout in just the first three months of 2022, all driven by a young generation of women cineastes, directors and producers.
Carlota Pereda’s “Piggy” uses quite brilliantly a plus-size girl’s complicity with a serial killer to force home to audiences the terrifying hatred inspiredly bullying. “Lullaby” is much nearer in mould to “Alcarrás,” as a young mother retreats to her family home on the Basque coast, discovering a new understanding with her once censorial mother.
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