The Source, has been one of the premier record-keepers of rap music. With an especial focus on the women of the genre (the debut 1999 issue of Mayo’s late magazine, Honey, featured Lauryn Hill on the cover), she has lovingly bridged the gap between lyricists and fans.
Her essay “Hip-Hop Heroines” is a celebration of women’s contributions to hip-hop and is featured in the Smithsonian Anthology of Hip-Hop and Rap, which is available now. “Hip-hop journalism and hip-hop feminism are both kind of coming to the world as I’m coming to the world,” Mayo says of the early days of her career. “That pivotal point where those two ideas that aren’t always the same thing, meet, collide and marry each other.” The Smithsonian’s book nearly bursts with
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