“I wanted to write something devoted to the disruptions of the stomach.” Peter Strickland may be the only director who could say something like that and really mean it.
After all, he is the master of minutia filmmaking, creating certified head-spinners and sensual dreamscapes from cursed red dresses (“In Fabric”), creepy audible quivers (“Berberian Sound Studio”), and lepidopterologically-charged S&M (“The Duke of Burgundy”).
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