When his mother spoke, Ernest remembers, everything sounded important. “I cling to her light,” he tells us in voiceover, an adult remembering how that felt.
The Ernest he is recalling is just a little boy (Milan Doucansi), snuggled against Rose (Annabelle Lengronne, a wonderfully vivid presence), with his grave and clever older brother Jean (Sidy Fofana) sitting opposite on a train taking them from Cote d’Ivoire to a new French life.Mother and Son is the story of that life – less story, perhaps, than a tapestry of carefully embroidered details – over 25 years, focusing on each of the three characters in turn.
The writer and director, Leonor Serraille, is a young white woman educated at the Sorbonne; she returns to Cannes in competition after winning the Camera d’Or with Jeune Femme in 2017.
Nevertheless, the film has the feel of autobiography, piled high with memories. Everything here clearly sounded important to Serraille, too.We move through time in a lurching movement, each of the three characters moving forward to take center stage in turn.
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