Jay Weissberg Over the course of her three features, Paz Fábrega has gradually stripped her films down in search of an essence.
In her debut “Cold Water of the Sea,” she played with ambiguity and inscrutability while foregrounding a casual naturalism. In her followup “Viaje,” she reduced her scope with a playful, intimate story of a couple’s first encounter.
Now with “Aurora” (presented at Ventana Sur in 2019 as “Restless”), she’s continued to refine her focus, giving life to a story of a pregnant teenager and the adult looking to help her through the process.
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