Unfurling an entire life of failed artistic ambitions in the span of a two-hour film, Chaitanya Tamhane’s remarkable sophomore feature “The Disciple” is decidedly leisurely in its approach.
Executive produced by Alfonso Cuarón, Tamhane’s film centralizes the world of Hindustani classical music, in which singers perform an improvised raga, modulating their voices depending on the singer’s emotional state.
This highly technical musical form, perhaps most famously popularized in America by Ravi Shankar, serves as the backdrop to the ambitious struggles of Sharad Nerulkar (Aditya Modak), a musical protégé who may not be as talented as he believes he is.
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