By Matt Grobar Assistant Editor, Awardsline Compared with other members of the below-the-line community affected by the coronavirus pandemic and the production shutdowns it spurred, post-production artists are uniquely positioned.
Relying mostly on computers and an Internet connection to do their jobs, picture editors, sound editors and colorists are able to work remotely, while many other artisans are not.
Still, this reality is tempered by the fact that without new material to edit, their work, too, will dry out. Tom Jarvis, the Emmy-nominated editor behind The Late Late Show with James Corden, has spoken with a number of his fellow craftsmen in recent days, gaining a sense of how the shutdowns have impacted them. “There are quite a few
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