Gregg Goldstein Documentary features and docuseries have become some of the most popular and profitable content around — especially for streamers — but what makes a project rise above the sheer volume of nonfiction fare now flooding the marketplace?
That’s the question on the minds of top doc producers, directors, dealmakers and distributors who, on the eve of the American Film Market, are all searching for the secret ingredients that will distinguish the next breakout nonfiction projects.In the early 2000s, “March of the Penguins” and “Fahrenheit 9/11” proved that low-budget docs could approach or surpass $100 million at the box office, and pop stars like Justin Bieber, Michael Jackson and One Direction brought their audiences to movie.
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