“This stuff is junk, what we’re doing,” Bill Murray deadpans in the middle of “New Worlds: The Cradle of Civilization.” The live audience onscreen—a strange sight after a year and a half of social distancing and no live performances—laughs.
Murray hams it up: “Is it too late to get some moussaka?” Then he smiles knowingly and nods. “Trust me when I say that the worst is over,” he says.
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