Taking the reins at the Berlinale’s European Film Market after the departure of the long-serving Matthijs Wouter Knol, who left last year to run the European Film Academy, was never going to be easy.
Throw an ongoing pandemic into the mix, which has upended traditional industry interactions and shut down international travel, and the role overseeing one of the world’s most important film events looked even more challenging.Step forward Dennis Ruh, the fresh-faced executive who, in his role as Head of Festival Relations and Producers Liaison at national body German Films, had forged an international network of contacts and a local reputation for forward-thinking before getting hired by Berlinale top brass Mariette Rissenbeek and Carlo
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