“Jolt,” a Kate Beckinsale-fronted actioner helmed by “Buffaloed” director Tanya Wexler, is a film that knows what it is and owns its sense of innate disposability.
There is always plenty of fun to be had with a rock-solid piece of disposable mainstream entertainment (it is still summer movie season, after all), and while it’s also undeniably fun to see Beckinsale, normally cast in more purportedly “respectable” roles, kicking all sorts of ass in her very own “John Wick,” it’s also not hard to wish that “Jolt” itself didn’t crackle with more lived-in electricity of its own.
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