There’s always at least one. Just a few nights deep into this year’s Cannes Film Festival, the competition has thrown up its first wild, batshit, and occasionally beautiful curiosity.
Reimagining “Au Hazard Balthazar,” Robert Bresson’s classic fable of human cruelty and indifference for the present day, “Eo” follows a lowly circus goat on a recurring series of captures and escapes, some more legible than others, some more hallucinogenic and experimental than others, but all combining into a singular surrealist whole.
Continue reading ‘Eo’ Review: Jerzy Skolimowski Reimagining Of Robert Bresson’s ‘Au Hazard Balthazar’ Has A Haunting Beauty [Cannes] at The Playlist..
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