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‘The Mandalorian’ and ‘Hacks’ Are Among Cinematography Emmy Nominees With Very Different Tones But Same Visual Goal

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variety.com

Jazz Tangcay Artisans EditorThis year the single-camera half-hour cinematography race pits action-packed episodes against tense drama and dark comedy.

Despite the drastic tonal differences between series and their sometimes out-of-this-world settings, the goals of DPs on their nominated episodes were common: capturing theater-grade quality images to allow audiences stuck at home amid a pandemic a chance to escape.

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