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thewrap.com
‘Page One’ Film Review: Doc Reveals New York Times’ Digital Dilemma
This review of “Page One” was first published on January 24, 2011 after the film’s premiere at the Sundance Film Festival.  It’s kind of weird for me to watch “Page One,” a year-long chronicle of my former colleagues on the media desk of The New York Times and their struggle to produce journalism in this most challenging of times.The film, which starts around the time I started TheWrap in 2009 after having left the paper, is kind of like watching the conversation continue in the room after you’ve walked out.On the one hand, the film directed by Andrew Rossi does an able job of documenting the critically important role that the Times continues to play in news-gathering and dissemination – and why it can be so damn exciting to be there.On the other hand, the film gives a rather superficial assessment of what everybody really wants to know: Will the Times make it, or not? Can the newspaper of record change fast enough, dramatically enough, to adjust to an upside-down business model?That he doesn’t answer.In 2008, the Times cut 100 jobs, borrowed $250 million and re-leased its building. In 2009, it cut another 100 jobs.It is distinctly odd to hear someone say on film exactly what I felt at that tie: “The mood is funereal.” And, I might have added, not conducive to doing great journalism.The team on which he focuses includes heroically smart and dedicated journalists – David Carr, Brian Stelter, Bruce Headlam (proud to say I’ve worked with two of them, hope one day to work with the third) who make up much of the media desk.The challenge of the media desk is even more profound – to chronicle the potential demise of an industry of which you are a part.
starobserver.com.au
Gay Film Sparks Outrage In Egypt
Conservative Egyptians are once again in an uproar over a critically acclaimed new film, by a Queer Egyptian filmmaker, which explores gay relationships and polyamory.Bashtaalak sa’at (Shall I Compare You to a Summer’s Day?), which premiered at the 72nd Berlin Film Festival this month, has been the target of angry critics who accuse the director, Mohammad Shawky Hassan, of “promoting homosexuality.”Omar Abdel Aziz, the head of the Federation of Art Syndicates, told Al-Watan that the film “highlights the worst of us.”The outrage over the film has led to one Egyptian lawyer, Ayman Mahfouz, demanding that Hassan be stripped of his Egyptian citizenship.The film, a German-Egyptian-Lebanese co-production, was nominated for the GWFF Award for Best First Feature, as well as a Teddy Award for Best Feature Film at the Berlinale.Hassan, who wrote and directed Bashtaalak sa’at, shot the film entirely in Berlin with a largely Egyptian cast, including Ahmed Awadalla, Nadim Bahsounn, Hassan Dib, Donia Massoud and Ahmed El Gendy.Bashtaalak sa’at (Shall I Compare You to a Summer’s Day?)Film critic Tarek El Shinnawi  in an interview with El-Kahera Wal Nas said, “Apart from the fact that some actors speak in the Egyptian dialect in the movie, the setting is unidentified,” and the film “neither positively or negatively tackles homosexuality.”While it is unlikely that the film will be screened in Egypt due to its sexual content and strong censorship in the country, Bashtaalak sa’at has yet to be formally banned by the Egyptian government.Bashtaalak sa’at (Shall I Compare You to a Summer’s Day?)According to the Arabic website Fil Fan, “The film will not be shown commercially in Egypt for several reasons, the first of which is the
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