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Here’s how Billie Eilish’s ‘Blue’ lyrics relate to every song on ‘Hit Me Hard And Soft’

Billie Eilish has finally released her highly anticipated third album ‘Hit Me Hard And Soft’, and the lyrics to the final track ‘Blue’ have caught the attention of fans.Find out how the lyrics of the song relate to every track on the setlist below.The album marked the long-awaited follow-up to the singer’s sophomore album ‘Happier Than Ever’, and the third LP in her discography following on from 2019’s breakthrough debut ‘When We All Fall Asleep, Where Do We Go?’.Not only does it see Eilish step into new territory with her songwriting, it also comes as a rollercoaster of emotions and appears to see the singer dealing with themes of heartbreak and isolation.It also sees Eilish take on a particularly blue theme, which is seen both through the album artwork and in the powerful and aptly-named closing track ‘Blue’.The song has been reported as being the album version of a previously unreleased Eilish song called ‘True Blue’, which the singer has frequently hinted at during her live shows and was originally meant to appear on her second album (via Capital FM).Now, following its release on ‘Hit Me Hard And Soft’, fans have begun looking at the intriguing lyrics in the song, and it seems that Eilish uses the track to make a nod to every other song featured on the album.In the first part of the song, for instance, Eilish includes the phrase ‘Birds of a feather’ – a nod to the title of the fourth track on the album, which is speculated to be about her past relationship with ex Jesse Rutherford.Later in the song, around the two-minute mark, ‘Blue’ changes direction and becomes more solemn, as she sings about someone who was “born bluer than a butterfly”.Before then, though, she seems to make more nods to the other songs in the
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The Killers are teasing a big announcement
The Killers have teased a big announcement with an ambiguous new video.Taking to social media this evening (August 21), the Las Vegas band posted a five-second black and white video of a dancer dressed in carnival-style attire in the desert.It’s accompanied by a dramatic piece of percussive music, but no caption or further detailed were shared alongside it.Check it out below.pic.twitter.com/8L6Cs62ROr— The Killers (@thekillers) August 21, 2023Fans have quickly started speculating about what the cryptic video could mean, with ideas ranging from a Super Bowl halftime show announcement – with the band having recently been named as the bookies’ favourite – to a new single.If it is teasing the imminent arrival of a song, that would mark the first new material from The Killers since their one-off 2022 single ‘Boy’.Speaking to NME about the new track at Mad Cool festival in Madrid last year, frontman Brandon Flowers said it was “the song that took me back home” and was “sort of the impetus for writing [2021 album] ‘Pressure Machine’.”He went on: “What’s interesting is that it just didn’t make it onto the record – but its absence is not a reflection of the quality of the song. It was an aesthetic decision to keep it off the record.”Drummer Ronnie Vannucci added that it was “a different complexion”, while Flowers said there was “an optimism to it”.
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Squid team up with Tim Key and Paul Ewan for ‘O Monolith’ audiobook ‘Lessons’
Squid have teamed up with Tim Key to record the audio of Paul Ewen’s story Lessons, which is available to listen to now.The story was first featured on a pamphlet inside vinyl copies of the band’s new album ‘O Monolith’, which came out last month, while Squid guitarist Anton Pearson has written accompanying music for the audio read by UK poet, screenwriter and comedian Key, which is free to listen to on Bandcamp and YouTube.“We’ve loved working with these two people we really admire,” Pearson said of the release in a press statement.You can listen to the new audio recording below.Elaborating on the collaboration, Pearson said: “John Fahey’s story insert to his 1967 album ‘The Transfiguration of Blind Joe Death’, inspired the project, and after reading and listening to Paul Ewen’s amazing work (London Pub Reviews, How to be a Public Author) and talking to him, we found he had a great understanding of our work and exciting ideas for the project.“He said he wanted to write a story about an out of touch geography teacher and it doesn’t get much more exciting than THAT! Similarly, Tim seems to have an amazing grasp of Paul’s humour and his delivery takes it to another level, as is the case on the pub reviews series.”A post shared by Squid (@squidbanduk)Pearson continued: “I went to see Tim on his Mulberry tour and loved it so was very excited to have him involved. It was fun writing some music for the audiobook, I used stems from the album for some of it and built other bits from scratch.
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