“Rehana Maryam Noor,” the second feature film from director Abdullah Mohammad Saad, the first Bangladesh film featured in Cannes, is both a dogged pursuit for justice and a sturdy character study.
The titular character Dr. Rehana (Azmeri Haque Badhon), is an overworked Assistant Professor to Professor Arefin (Kazi Sami Hassan) in a modest medical college.
A woman of scruples, she expels a student during an exam for writing notes on the back of her ruler, reigning over the classroom with an ironclad gaze that denotes her obsession with upright morals.
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