‘Skeleton Crew’ Star Phylicia Rashad on Broadway’s Return: ‘Mastery Continues, and Theater Artists and Audiences Are Grateful for This’
Michael Appler On Broadway Wednesday evening, “Skeleton Crew,” the final of seven new plays written by Black playwrights to make its debut this season, opened to an intimate crowd at the Manhattan Theatre Club’s Friedman Theatre. The show was embraced by an audience that included Danielle Brooks, Denée Benton and La Chanze but stripped, like the factory it depicts, of the usual pomp and circumstance of a flashy Broadway opening.“Skeleton Crew,” the third work in Dominique Morisseau’s trilogy of Detroit-based plays, finds five workers at a Michigan auto factory — dogged by a corroding city around them, the unfeeling unpredictability of their employers and the looming devastation of joblessness as their workplace, the last of the city’s independent auto factories, inevitably closes.