‘Ex-Husbands’ Review: Griffin Dunne Anchors Multi-Generational Story Of Male Angst Over Broken Relationships – Hamptons Film Festival
After a World Premiere at the San Sebastian International Film Festival and its North American Premiere over the weekend at the Hamptons International Film Festival, Noah Pritzker’s (Quitters) second film goes for a mix of Woody Allen, John Cassavetes, Paul Mazursky, Noah Baumbach and other white male filmmakers, past and present, who enjoy basking in the midlife marital crisis in which many guys find themselves trapped. While not on the level of those acclaimed filmmakers, in this case though Pritzker manages to cast his net wider into an early, mid, and late life crisis over three generations of the men in the Pearce clan. The result is an engaging indie exercise that in an age of highlighting diversity in films puts the focus solely on its white male central characters and their personal woes, thus oddly taking what was once common Hollywood storytelling into a bit of an anomaly in 2023. It is for sale to any distributor who finds promise in a premise that might be a tough sell for mainstream buyers despite a game cast that lifts it up a notch or two. Art Houses would seem to be its theatrical future, if not PVOD.