Paula Ossandón: Celebs Rumors

Anna Marie de la Fuente With Maite Alberdi, twice Oscar nominated for her last two docus, “The Eternal Memory” and “The Mole Agent,” and Tana Gilbert whose feature debut “Malqueridas” won the Grand Prize at Venice’s Critics’ Week, Chilean documentaries are having a banner year. Five documentaries participate in the May 20 Chilean Docs-in-Progress Showcase at the Marché du Film’s docu section, Cannes Docs.

Anna Marie de la Fuente As Chile hosts its third Docs in Progress Showcase at Cannes’ Marché du Film, it brings to the fore one of the richest and most prolific documentary traditions in Latin America, led by such figures as Patricio Guzmán, whose 2019 “The Cordillera of Dreams” won the Cannes Golden Eye, and Maite Alberdi, whose 2020 “The Mole Agent” snagged an Oscar nomination. Spurred by a major jump in co-productions and a modest increase in state funding, more Chilean documentaries are being made — 24 are co-productions to date this year, many driven by women producers, says Paula Ossandon, head of Chiledoc, apublic-private alliance between  the Chilean Documentary Corp. (CCDoc) and ProChile.

Anna Marie de la Fuente Thrown into the limelight by the Oscar nomination for Maite Alberdi’s “The Mole Agent” in 2021, Chilean documentaries been growing in stature worldwide for years.At Cannes, venerable Patricio Guzman world premieres his latest doc, “My Imaginary Country” (“Mi País Imaginario”) as a special screening, following on his lauded “The Cordillera of Dreams” which was awarded the 2019 L’œil d’Or award for Cannes’ best documentary. Matias Rojas’ “Our Memory” will be among the spotlighted projects at Cannes Docs.

Holly Jones In collaboration with Hot Docs 2022, Chiledoc announced that the Toronto-based festival will showcase seven Chilean documentaries as part of its Made In Chile strand. Screening from April 29, the selections highlight the burgeoning global impact of Chile’s spirited documentary film initiative, encompassing diverse and bold perspectives from new voices nationwide.As North America’s largest documentary film festival, conference and market, Hot Docs strives to forge essential relationships that lead to production opportunities for documentary filmmakers with a keen eye on the global market.“We are excited to celebrate and spotlight this new movement of documentary filmmakers from Chile,” shares Shane Smith, director of programming for Hot Docs. “Their bold and daring approach to reexamining their country’s multifaceted history while crafting powerful and distinctively Chilean stories is making the documentary industry, and the world, take notice.” Made in Chile bows, indeed, just days after “My Imaginary Country,” from Patricio Guzmán, the doyen of Chilean documentary filmmakers, was selected for a special screening at the Cannes Festival.Paula Ossandón, director of Chiledoc, the sectorial brand for Chilean documentary, elaborates on the state of documentary filmmaking in Chile: “The production of documentaries in Chile is prolific.

Anna Marie de la Fuente Buoyed by the Oscar nomination for Maite Alberdi’s “The Mole Agent” last year, which was also shortlisted in the International Feature category, Chilean documentaries are attracting ever more attention worldwide. One of its leading lights, Patricio Guzman, will have the world premiere of his latest opus, “Mi País Imaginario” as a Cannes  Festival special screening.For the third time in a row, Chiledoc will be presenting a Chilean Docs in Progress showcase, scheduled for May 23 within the framework of Cannes Doc, which runs May 17 to 25.Spearheaded by Chiledoc director Paula Ossandón, the showcase comprises four films at editing stage.

Anna Marie de la Fuente Chile presents four powerful documentaries at Cannes Docs’ Docs in Progress: Showcase Chile this year, which will screen online on Wednesday July 7 and on-site on July 10 at the hybrid Cannes Marché du Film.Most of them reflect the deep trauma the country suffered under the brutal military dictatorship of Augusto Pinochet (1970-1990).“Indeed, the Pinochet dictatorship has left a very deep mark on Chilean society and today it is the daughters and sons, even the granddaughters and grandsons of those who lived and suffered at that time, who raise their voices to expose these traumas and the repercussions that they have had in their own generations,” says Chiledoc director Paula Ossandón, pointing to the social unrest