‘Adrienne’ Review: Andy Ostroy’s Doc Is A Remarkably Personal Introduction To An Underappreciated Filmmaker
Like most who discovered the work of actor/writer/director Adrienne Shelly, I first noticed her in the breakout 2007 film “Waitress,” a (literally) confectious film starring a pre-“Americans” Keri Russell as the most decent woman ever to begin an affair. While technically Shelly’s third directorial feature, “Waitress” announced a bold — and, more importantly, humane — filmmaker who may have trafficked in the pretensive whimsy of early aughts Sundance dramas, but also overcame those limitations through sheer force of personality.