Tomris Laffly It’s been 15 years since screenwriter Tina Fey brought peace to the teenage girl world with the groundbreaking “Mean Girls.” Now it’s her frequent creative partner Amy Poehler’s turn to stride the hallways of a contemporary high school, searching for harmony and justice among the heightened emotions and high-stakes conundrums of young adults.Marking the multi-hyphenate Poehler’s return to the director’s chair after her casually comforting “Wine Country,” the good-natured dramedy “Moxie” isn’t nearly as sharp as “Mean Girls,” lacking its hilarious wit and unwavering bite, often erring on the side of didacticism and broadness in similarly charting a fed-up young woman’s awakening against her high school’s hostile, victimizing.
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