Ben Croll When Quentin Dupieux’s “Mandibles,” a buddy comedy about two bumbling dolts and a giant CGI bug, premieres out of competition at the Venice Film Festival on Sept.
5, the screening could mark a mainstream breakout moment for the idiosyncratic director, and reaffirm French genre filmmaking as a market draw.Beginning with 2010’s “Rubber,” Dupieux’s absurdist, genre-tinged features have launched out of sidebars in Venice and Cannes, and have played the main slates in Sundance and Toronto; his last film, “Deerskin,” opened the Directors’ Fortnight last year.
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