At the exit to a gallery in the Academy Museum of Motion Pictures is a display of opinions about the future of cinema. For example:“THE FUTURE OF CINEMA IS INCLUSION NOT EXCLUSION”–Kimberly Steward Film ExecutiveOr:“THE FUTURE OF CINEMA IS A FUSION OF TECHNOLOGY AND IMAGINATION”–Thomas Duffield Production DesignerWell, here’s a modest addition, minus the block lettering, from yours truly, outside observer: “The future of cinema is alternate takes.”That thought, profound or otherwise, occurred alongside the realization that Jason Reitman’s Ghostbusters: Afterlife—a fourth entry in the
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