The broad and common critique of Marvel movies, generally, is that they are often anonymously made, cookie-cutter in shape, and—if created by an indie auteur—set up in a way that generally strips that filmmaker of their voice or any discerning identity.
In some regards, Chloé Zhao’s “Eternals” seems engineered as an exact rejoinder to this criticism. If Marvel is generally boxing-in their filmmakers (so some claim anyhow), then they’ve allowed Zhao, an Oscar winner for this year’s “Nomadland,” to do whatever she wants.
Continue reading ‘Eternals’ Review: Chloé Zhao’s Marvel Entry Is Ambitious, But A Convoluted Cosmic Misfire at The Playlist..
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