Befitting a documentary executive produced by Errol Morris, Enemies of the State is polished, assured and chilling. But as director Sonia Kennebeck traces a tale of hacker culture, government surveillance and extreme family loyalty, the smooth surface buckles.
Paranoia and unreliable narrators begin to dominate the disquieting mix, and the viewer starts to question how and why the story is being told.
That uncertainty is the film's primary, illuminating strength, exposing built-in biases (ours as well as those of onscreen figures) and underscoring the dangerous internet-age velocity with which one person's conspiracy charges can turn into a seemingly righteous cause.
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