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DMA’s – ‘The Glow’ review: a hyper-charged record of dance and decadence from the evolving Sydney trio
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nme.comDMA’s first two albums, released in 2016 and 2018 respectively, were unapologetic love letters to Britpop. A mix of Oasis’ swagger, the frenetic energy of Blur and The Stone Roses’ want to be adored, the Aussie trio made music to bellow along to at the top of your lungs while becoming mates with total strangers – scenes which naturally played out over and over again across the series of raucous, larger-soaked DMA’s gigs across the globe that followed.But then their ‘MTV Unplugged: Live’ record, released nearly a year ago, stripped things back to basics with an acoustic arrangement that demonstrated that there was more to the three-piece than simply soundtracking the art of lobbing pints and ‘avin’ it large.
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