The Dog Who Wouldn't Be Quiet is very much its own creature. In ways that can pull you in and also keep you at a distance, it has no use for movie conventions of plot and characterization as it traces turning points in its 30-something protagonist's life — a life shaped by ordinary strife and joy and, for a while, a strange planetary phenomenon.
The story of Sebastian (a soulful-eyed Daniel Katz, the director's brother) is elliptical to the max, the gaps as much a part of the storytelling as the narrative fragments that play out onscreen.
This reflects the way the sixth feature from Argentine filmmaker Ana Katz was made, over the course of several years and employing five DPs, each one working in luminous black-and-white.
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