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‘The Idea of You’ review: Anne Hathaway’s sexy romance is better than you’d expect

Anne Hathaway’s career in Hollywood began 23 years ago with a family movie about every teen girl’s ultimate fantasy — her geeky character discovered she was actually royalty.Now 41, the actress has delivered a second dose of impossible escapism with “The Idea of You,” an, ahem, steamier, R-rated flick clearly made for the older millennials who obsessed over “The Princess Diaries” back in the aughts.Her latest fizzy project instead realizes the dream of every bored woman in their thirties and forties: She plays an exhausted single mom who has a fling with a famous, 24-year-old British boybander. And why not? What fun.Anyway, I suspect that aspirational viewers of “The Idea of You,” a decadent diversion that’s based on the popular novel by Robinne Lee, would much rather jet set around Europe with Harry Styles than live in a moldy 300-year-old palace and cut ribbons.
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‘Gen V’ Review: Empowered Youth
The Boys is one of Prime Video’s greatest series on its platform.So it makes sense that the Amazon corporate overlords would mine the original comic from Garth Ennis and Darick Robertson for some way to extend the brand.Gen V (★★★★☆), a show about America’s most prestigious superhero college, makes it clear through blood, insanity, and pitch-black humor that this is definitely a spin-off of The Boys.Following a dangerous awakening of her power to control blood, Marie (Jaz Sinclair) gets the opportunity to leave her orphanage for kids with powers for Goldolkin University, a major step forward in her goal to become the first black woman on The Seven.When she arrives, Marie meets her roommate, Emma (Lizze Broadway), who is also a famous YouTuber, Little Cricket, where she showcases her ability to shrink.Together, the two meet the school’s top ten students, including the superpowered Golden Boy (Patrick Schwarzenegger), his mind-controlling girlfriend Cate (Maddie Phillips), bi-gender Jordan (London Thor and Derek Luh), and Andre (Chance Perdomo), the magnetic son of a famous alumni.While Marie’s initial hopes seem fruitful, Gen V constantly reminds you that this is the world of The Boys, almost too much so. Every happy moment is bookended by an insane and usually violent moment of trauma with some zinger or depraved joke.
metroweekly.com
‘Evita’ Review: Cry Hard
Evita (★★★☆☆), Shereen Pimentel, in the title role, declaims not from a balcony of the Presidential Palace, but surrounded by risers of flowers stacked to the rafters.A luminous rose among a field of lesser blooms, Eva “Evita” Péron, addresses her nation to the triumphant strains of “Don’t Cry for Me Argentina.” Indeed it’s a triumphant moment for the Shakespeare Theatre’s production, directed by Sammi Cannold, building on her staged concert presentation of Evita for New York City Center Encores! in 2019, and a subsequent American Repertory Theatre production in Cambridge, Massachusetts this past summer.Finessing the First Lady’s appeal to her people, Pimentel’s voice is at its loveliest on “Don’t Cry,” while Jason Sherwood’s scenic design provides a gorgeous visual representation of Evita’s lofty status amongst the Argentinian masses.The stirring number reinforces the tune’s status as the crown jewel of one of Webber’s best-known scores, with a polished, patient rendition that belies the effort to deliver all an audience might hope for or want from a hit. Other gems in the score don’t gleam with the same care and intention, although the performers, backed by music director Mona Seyed-Bolorforosh’s 16-piece orchestra, have their moments.The warm baritone of Caesar Samayoa, as Presidente Juan Péron, booms confidently through the droll game of musical chairs depicting the military colonel’s rise to power.
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