John Hopewell Chief International CorrespondentIn late July, “Ane,” a Basque Country mother-daughter social drama, scored one of the three-or-so berths reserved for Spanish titles at the New Directors sidebar of the San Sebastián festival, the most prestigious film event in the Spanish-speaking world.It followed on “The Innocence,” a girl’s coming-of-age tale set in rural Spain, which made 2019’s New Directors’ cut.
Selected for the TIFF Filmmakers Lab, in July Chema García Ibarra’s low-fi sci-fi drama “The Sacred Spirit” also secured financing from Eurimages, Europe’s biggest pan-regional production fund.All three projects were put through the Madrid-based Incubator, a six-month producer mentorship initiative, which forms part of The.
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