‘Don’t Worry Darling’ Review: Florence Pugh and Harry Styles Sizzle in Olivia Wilde’s Neo-’50s Nightmare Thriller, but the Movie Is More Showy Than Convincing

His greatest role! Over the years, Jason Sudeikis has offered glimpses at his life as a father of two kids.

exposed her bare breasts.Collina Strada boldly freed the nipple with a floral design constructed of wires and airbrushed areola that attached to a long pink chiffon dress. “Girls” star Jemima Kirke also walked the runway with a bikini top made out of flowers with the nipple area conveniently punched out.Julia Fox wore a similarly experimental “dripping wet” outfit designed by a Parsons MFA student designer, Weiran, who saved even more risque designs for the runway.At Puppets & Puppets one model was mere millimeters from a wardrobe malfunction with makeshift butterfly pasties, while Bella Hadid was a cough away from a similar fate for Fendi, which celebrated the 25th anniversary of its Baguette handbag.At Sergio Hudson and Mowalola, nip slips were part of the program, as several models purposefully bared flesh.LaQuan Smith showed a black bodysuit with cut outs and a thin string covering a model’s nipples while other looks from the designer beloved by Beyoncé and Rihanna weren’t so subtle, with completely sheer fabric and nary a bra in sight.

While Olivia Wilde and Jason Sudeikis are still figuring out the details over custody of their children, it’s been revealed that their daughter, Daisy, will be appearing in Olivia‘s new movie, Don’t Worry Darling.

Don't Worry Darling totally blind, stop reading now. The thriller, which hits theaters in a week, stars Florence Pugh as a housewife who starts to realize that life in her idyllic community isn't what it seems, and in a newly released clip, she begins putting the pieces together over dinner.Playing Alice, husband to Jack (Harry Styles), Pugh quizzes her table-mates about where they came from and how they met their husbands, noting similarities in each of their stories.

Jason Sudeikis is taking a moment to celebrate a massive time in his career — and he’s involving his family in the win.

Jason Sudeikis was honored for his humor at the 2022 Emmys when he walked away with the award for Outstanding Lead Actor in a Comedy Series for his work on, but there are two critics who don't think he's all that funny. The 46-year-old actor spoke to reporters backstage and shared what his and ex Olivia Wilde's 8-year-old son, Otis, and 5-year-old daughter, Daisy, think of his work.When asked if his kids think he's as funny as the rest of the world, Sudeikis turned to his castmates and asked, «Does anyone's kids think they're as funny?» Laughing, they all collectively agreed their children don't find them as humorous as the fans. «No, I don't know, they have a lot of notes, and it's mostly about structure» Sudeikis quipped.

The trailer for Damien Chazelle‘s Babylon has finally arrived, and it features a funny Brad Pitt moment!

Brad Pitt and Margot Robbie are headed back to Old Hollywood in Damien Chazelle's new epic,. First-look photos from the upcoming film were shared on Thursday, showing the co-stars' upcoming on-screen reunion from the Oscar winner. However, the excitement for the movie grew on Sept.

Owen Gleiberman Chief Film Critic Like an ice-cream shop that offers you the choice of pistachio or strawberry and nothing else, the movies Tyler Perry has been churning out for 20 years come in just two flavors: comedy and soap opera. It’s worth noting, in this case, how the flavors blend. Most often, they’re stacked right next to each other, as when Perry’s great sass-mouth frump Madea suddenly plops into the middle of a dramatic scene. Yet there’s a way that the antic, ribald broadness of Perry’s comedy bends the drama into being more over-the-top. That’s why his movies are all of a piece even when they’re all over the place. They feed you pistachio and strawberry, and by the time that’s all melted together you’re tasting one flavor. Call it Tyler Perry with Nuts.

Emma Corrin joined singer and actor Harry Styles at the premiere of their new film My Policeman.The actress, best known for her role in The Crown as Princess Diana, took to the red carpet with Harry at the 2022 Toronto Film Festival on Sunday 11 September. Emma, 26, wore a black bodysuit with black tights and a long cape as she posed next to the former One Direction star, who was wearing a bright green Gucci suit with and holding matching clutch bag.The pair were also joined by actor David Dawson who donned a black suit.

plays a gay British cop named Tom during the 1950s, and his secret lover Patrick (David Dawson) is a museum curator and artist. When Tom’s girlfriend Marion (Emma Corrin of “The Crown”) notices a drawing of Tom by Patrick on the wall, she expresses her shock that her so-so beau was the chosen subject.Tom shoots back: “Patrick says ordinary people are the best faces to draw!”The Toronto International Film Festival crowd at the Princess of Wales Theatre roared with laughter at the line, knowing full well that Styles, who was in attendance, has graced covers of Vogue, GQ and Rolling Stone and regularly has headlines written about him such as “Harry Styles Is ‘Uncomfortable’ as a Sex Symbol.”This summer, Styles has been everywhere.

Owen Gleiberman Chief Film Critic “Causeway,” starring Jennifer Lawrence as a U.S. Army soldier recovering from injuries that are physical, mental, and spiritual, is the furthest thing from a genre film. Yet it belongs to what I’ve come to think of as a genre: the slow-burn non-verbal indie gloomfest. In saying that, I don’t mean to make light of the subject. Lawrence plays Lynsey, a member of the U.S. Army Corps of Engineers who returns from Afghanistan after riding in a vehicle that was struck by a bomb, which caused her to have a cerebral hemorrhage. At the start, she’s seated in a wheelchair, waiting for the home health-care worker (Jayne Houdyshell) who’s going to look after her as she undergoes rehab. Tentatively, Lynsey starts to walk, but for a while she struggles to bathe, drive, remember things. The brain injury has smashed and weakened her; she’s a person in fragments.

Fresh from a tumultuous Venice and a Madison Garden concert in between, Harry Styles was back on the festival circuit this weekend for the Toronto world premiere of Michael Grandage’s My Policeman.

Jonathan Cohen For Pearl Jam, it was a long time coming. For 1,500 lucky fans, it was a dream come true. The Seattle Rock and Roll Hall of Famers made good Saturday night (Sept. 10) on a special show nearly two-and-a-half years in the making at the fabled Apollo Theater in Harlem, New York, navigating through a serious technical-related delay five songs into the set that took more than 15 minutes to correct. The concert was broadcast live on Pearl Jam’s long-running SiriusXM channel as part of the network’s Small Stage series, and was open only to subscribers, contest winners and the usual coterie of VIPs. The 21-song performance blended classics such as “Porch,” “Even Flow” and “Better Man” with seven songs from the band’s latest album, “Gigaton,” plus a situation-appropriate dedication to Howard Stern, Robin Quivers and producer Gary Dell’Abate on “Spin the Black Circle.”

Owen Gleiberman Chief Film Critic It’s in the nature of cinema that when a hugely popular and beloved movie is grand enough, the sequel to it almost has to try to top it in a go-big-or-go-home way. For a long time, each new James Bond adventure was more lavishly scaled, baroque, and stunt-tastic than the last. “The Godfather Part II” was darker and longer than “The Godfather,” “The Empire Strikes Back” enlarged the awesomeness of “Star Wars,” and “Terminator 2: Judgement Day” made the first “Terminator” look like a minimalist trinket. So how does that apply to “Glass Onion: A Knives Out Mystery”? Three years ago, Rian Johnson’s “Knives Out” was a seamlessly debonair retro whodunit, set in the mansion of a murdered mystery novelist, that not only evoked the edge-of-your-brain storytelling panache of Agatha Christie but expanded the Christie genre into something delectable in its meta cleverness. At a time when comic-book films, action films, and other forms of kinetic fantasy appeared to be in the final stages of killing off everything else, “Knives Out” was a cathartic reminder that a movie mode we associate with vintage Hollywood — dialogue of airy density and wit, characters who pop with all-too-human flaws and foibles, a plot that zigs and zags until you’ll follow it anywhere — could still make a righteous stand at the megaplex. Holding it all together was Daniel Craig as Benoit Blanc, the film’s Southern-gentleman re-imagining of a Hercule Poirot/Sherlock Holmes sleuth, whose wryly deceptive genius made him, for some of us, more super than any superhero.

Don’t worry, darling — Florence Pugh isn’t going anywhere. She’s already booked her next Marvel project with the all-star movie Thunderbolts alongside Sebastian Stan and more familiar faces.

Elsa Keslassy International Correspondent Charlotte Wells’ “Aftersun” won the Grand Prize of the Deauville American Film Festival on Saturday evening during a ceremony which was followed by the French premiere of Olivia Wilde’s “Don’t Worry Darling.” “Aftersun” had world premiered at Critics Week in Cannes where it won a prize. The movie marks the feature debut of Wells, a New York-based Scottish filmmaker. Headlined by “Normal People” actor Paul Mescal, the bittersweet drama follows a father and his daughter who take a holiday at a Turkish resort in the late 1990s. The movie is being represented in international markets by Charades and will be distributed in North America by A24.

Disney’s D23 Expo is in full swing, and during today’s Marvel panel, they revealed the main team and cast of their upcoming “Thunderbolts” movie, due in 2024. Directed by Jake Schreier, “Thunderbolts” is expected to be a team in place of the Avengers.

Marvel has unveiled the cast of its upcoming “Thunderbolts,” and it’s exactly who we expected (and we’re not complaining). The Marvel Cinematic Universe’s version of the Suicide Squad — don’t hate, we’re just describing facts here — will be staffed by Black Widow II (Florence Pugh), The winter Solider (Sebastian Stan), Red Guardian (David Harbour), Taskmaster (Olga Kurylenko), U.S. Agent (Wyatt Russell) and Ghost (Hannah John-Kamen).

Don’t Worry Darling drama from earlier this week, days after the death of Queen Elizabeth II. The Star Wars icon was, like the rest of us, clearly enamoured with the wild goings on around the release of the Olivia Wilde film, starring Harry Styles, Chris Pine and Florence Pugh. However, the attention around the film understandably quietened down later in the week following the death of the Queen at the age of 96 on Thursday.

Owen Gleiberman Chief Film Critic If you’re a fan of “The Trip” and its sequels, those semi-improvised road comedies in which Steve Coogan and Rob Brydon play slightly exaggerated versions of their real-life selves, you’ll know that they’re about more than just two men driving through the European countryside, eating fabulous food, trying to top each other with their Al Pacino impersonations. Coogan, in particular, comes off as a fellow who, for all his larkish narcissism, is so steeped in history that it’s literally alive for him. And that’s the feeling that courses through “The Lost King,” the new movie written by Coogan and Jeff Pope and directed by Stephen Frears. They’re the team that gave us “Philomena” (2013), the sharp-tongued heart-tugger that cast Judi Dench as a real-life Irishwoman tracking down the son she’d been forced to give up for adoption 50 years before. That movie was fine (a tad too sentimental in my book), but “The Lost King” is a growth ring, a richer, stronger, and more moving piece of work, a historical detective story that carries the kick of a true-life “Da Vinci Code.”

Shia LaBeouf is ready to end his he said, she said battle with Olivia Wilde. The stars have been publicly at odds over the narrative surrounding LaBeouf's exit from the Wilde-directed. LaBeouf was originally cast opposite Florence Pugh in a role that eventually went to Harry Styles and, while conducting interviews to promote the project, Wilde has said that LaBeouf was fired.

Rebecca Rubin Film and Media Reporter Audiences can’t get enough of “Don’t Worry Darling.” After the movie’s Venice Film Festival premiere, which sent the internet ablaze after Harry Styles may or may not have spit on his co-star Chris Pine and Florence Pugh avoided eye-contact with her director Olivia Wilde, the buzz around the Warner Bros. release is only escalating. Imax’s live-event screening of “Don’t Worry Darling,” which includes a Q&A with the cast and director, has sold out in 21 locations. In less than 24 hours, more than 13,000 tickets have been purchased across 100 North American locations. Screenings in several markets, like New York, Los Angeles, Chicago, Houston and Seattle, are completely booked, while 15 additional locations are at least half full.

No, the tabloid headlines about all the behind-the-scenes mishesgoss on Olivia Wilde’s Don’t Worry Darling isn’t hurting ticket sales.

No movie has been a bigger node of controversy in recent weeks than Olivia Wilde‘s sophomore feature, “Don’t Worry Darling.” And now that its world premiere at the Venice Film Festival has come and gone, let’s hope that the drama surrounding this film finally dissipates. Critics didn’t love it, nothing juicy happened on the red carpet or at the screening, and it’s time for everyone to move on.   READ MORE: Olivia Wilde Address All Of The ‘Don’t Worry Darling’ Gossip …Again That appears to be the tactic Shia LaBeouf wants to take now.

Owen Gleiberman Chief Film Critic In “Weird: The Al Yankovic Story,” the winningly daffy-droll postmodern satirical biopic about the beloved cult song parodist of the MTV era, Al (Daniel Radcliffe), weird but not yet “Weird,” is sitting around with his roommates when lightning strikes — or, at least, bologna. One of the roommates asks Al to name the thing he’d most like to do in the world. Al, speaking with a fervor bigger than mere desire — he’s talking about nothing less than a dream — replies, with stoic conviction, “Make up the words to a song that already exists.” Moments later, the Knack’s “My Sharona” is blasting away on the radio, and just after he’s taken a package of bologna out of the fridge, he has his a-ha moment. The lyrics come to him in a flash: “Oo my little hungry one! Hungry one! Open up a package of MY bologna…” An irresistible parasitical fake star is born.  

Olivia Wilde has addressed the "baseless" rumours about her feud with Don't Worry Darling star Florence Pugh. The filmmaker and British actress have long been dogged by speculation that they didn't get along while making the psychological thriller. Their appearance at the Venice Film Festival earlier this week made matters worse as they didn't pose together or appear to share eye contact when the film received a standing ovation, while Florence has barely mentioned Wilde or the movie on social media.

Shia LaBeouf‘s mother Shayna Saide tragically passed away two weeks ago, he just revealed in a new interview.

claimed that she fired him to protect lead actress Florence Pugh.“It is what it is,” LaBeouf told The Hollywood Reporter. “Every blessing to her and her film.”Wilde, 38, had again insisted that she chose to fire the 36-year-old actor, in an interview with Vanity Fair published on Thursday, citing his on set behavior and her responsibility to Pugh, 26, as reasons she let him go.

Shia LaBeouf has one more thing to say about his beef with Olivia Wilde over his departure from Don’t Worry Darling.

Who knew someone not even in Olivia Wilde’s movie would take up so much time and energy during her Don’t Worry Darling press tour?!

Shia LaBeouf is setting the record clear on his involvement with “Don’t Worry Darling”.

Harry Styles joked about the viral video of him "spitting" on Chris Pine during a concert in New York City on Wednesday night. Shortly after the debut of Olivia Wilde's new film Don't Worry Darling at the Venice Film Festival on Monday, a video began to circulate online showing star Styles taking a seat at the venue next to Pine. Many fans speculated on Twitter that the British singer/actor had spat at his co-star, a rumour Pine's representatives have since rejected.