When costume designer Trish Summerville first started working on David Fincher’s new Netflix film Mank, “even people in my crew and friends were like, ‘This would probably make things so much easier.” That’s because the film is shot in black and white.
In fact, though, the opposite was true. “It actually made it a bit more difficult,” says Summerville. “When you shoot in color, you have all these different shades and tones you can work with and you can do stuff that’s tone on tone.” What she found out —while researching the period and visiting costume rental houses, where she took photos of garments in black and white — is that not only are many options are no-go but that other problems present themselves.
Read more on hollywoodreporter.com
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