Eugenio Derbez Marlee Matlin Sian Heder Sundance Film Festival coda Eugenio Derbez Marlee Matlin Sian Heder Sundance Film Festival

‘CODA’ Transcends The Feel-Good Movie Genre Even When You See It Coming A Mile Away [Sundance Review]

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In this virtual era, it goes without saying that much of the communal aspect of a film festival has evaporated. Strangers don’t compare notes waiting inline or with their neighbor before a film begins.

Reactions are confined to social media or you’re favorite message thread. And for Sundance, a festival that can launch a film into the stratosphere after one glorious world premiere, the loss of in-person screenings is even more painful.

That being said, if there is any film that would elicit a buzzworthy standing ovation in both Park City’s gigantic Eccles Theater and in viewer’s living rooms it’s Sian Heder’s “CODA,” which was part of a slate of films to open the 2021 edition of the fest on Thursday.

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