ticker: Celebs Rumors

+431

Anti-Gay Mark Robinson Allegedly Enjoyed Watching Trans Porn

anti-LGBTQ screeds, has been accused of allegedly writing sexually lewd and politically inflammatory comments on a pornography website’s message board over a decade ago.Robinson, who is Black, reportedly referred to himself on the message board as a “black NAZI!” and expressed support for reinstating slavery, disparaged Martin Luther King, Jr., and made derogatory comments about the Black, gay, Muslim, and Jewish communities, according to a shocking report from CNN.The comments on the message board, which date back to a time period between 2008 and 2012, predate Robinson’s political activism and his stint as North Carolina’s current Lieutenant Governor.The online user, who CNN claims is Robinson, claimed to be a “perv” on the message boards of the porn website Nude Africa, allegedly writing graphic, sexually explicit messages talking about extramarital affairs, physical sex acts, and bodily fluids and claiming to be sleeping with his sister-in-law — all of which may or may not have been part of a fetish or roleplay fantasy scenario.Despite his repeated use of anti-LGBTQ rhetoric on the campaign trail, and attempts to cast transgender females as predatory and a danger to women in restrooms, Robinson allegedly claimed, in posts written over a decade ago, that he loved watching pornographic scenes where transgender women have sex with cisgender women.“I like watching tranny on girl porn! That’s fucking hot! It takes the man out while leaving the man in!” Robinson allegedly wrote.
metroweekly.com

All news where ticker is mentioned

metroweekly.com
DC Theater Review: Signature’s “She Loves Me” is whiff of delight
She Loves Me (★★★★☆) is but one of many pleasures to behold in director Matthew Gardiner’s sprightly, delightful trip to that fabled shop around the corner.Miklós László’s 1937 play Parfumerie first established the venerable love story between contentious Hungarian shop clerks Georg and Amalia, spinning a romantic confection so sweet, it’s been revived, adapted, and reinvented in forms from film to this beloved musical-comedy, originally produced on Broadway in 1963.The snappy book by Joe Masteroff has held up well, and, while the waltzing score, with music by Jerry Bock and lyrics by Sheldon Harnick, can seem a tad old-fashioned, the songs shine like gems when placed in their most advantageous setting.Gardiner and company have done plenty to create that proper atmosphere, starting with Lee Savage’s set, which opens like a music box to reveal the pristine, pastel-pretty shop floor of Maraczek’s Parfumerie.Reconfiguring like some happy-go-lucky Transformer around a centerstage turntable, the set impresses while offering Gardiner and choreographer Kelly Crandall D’Amboise myriad opportunities to keep the actors and decor moving in amusing directions.Adam Honoré’s lighting design doesn’t always add as helpfully to the scenery, but contributes beautifully to standout numbers like “A Romantic Atmosphere” and “Dear Friend.” It’s the performances, though, that light up every scene.Ali Ewoldt’s demure yet daring Amalia Balash bubbles with charm and nervous energy, unaware she’s engaged in a pen-pal romance with the one man she leasts gets along with in real life, fellow parfumerie clerk Georg Nowack, played a hint too gruffly by Deven Kolluri.The pair sing wonderfully, solo and in tandem, but the show’s most successful duet
metroweekly.com
Gay Florida police chief fired for promoting officers of color
deployment of tear gas against protesters, the shoving of a kneeling protester, the shooting of a woman with a rubber bullet, and controversies stemming from the use of facial recognition technology to identify protestors — which critics have said has difficulty making accurate identifications of people of color.At the time, Scirotto said he wanted to ensure the department fostered better relations with people in the community who have historically been suspicious of, or had fraught relations with, police — a goal that many felt was a positive step. But in the fall, Scirotto promoted a list of minority employees, which led three white officers and one Hispanic officer to file complaints with the Equal Employment Opportunity Commission alleging that he was promoting people in a biased manner.The subsequent investigation into Scirotto’s actions found that “almost every witness,” out of 21 interviewed, “was dissatisfied” with Scirotto’s approach to promotions and “most believed that Chief Scirotto made clear his intention to promote based on race, gender or sexual orientation.”“Some believed it was about time changes were made, but stated if promotions were based on things such as race it would even hurt or undermine the people promoted,” the report said.The investigation report accused Scirotto of saying that photos on a conference room wall were “too white” and vowing: “I’m gonna change that.” It also alleged that, in a separate incident, Scirotto passed over a white man with 20 years tenure with the department for a promotion, instead narrowing the field down to two candidates of color, saying: “Which one is blacker?”Lagerbloom defended his decision to fire Scirotto, telling The Associated Press: “There’s everything we
metroweekly.com
Bringing the glam to King Herod in ‘Jesus Christ Superstar’
Jesus Christ Superstar took shape as a landmark album.Released in 1970 to resounding success, that recording captivated audiences worldwide, spawning the original Tony-nominated production, the cult classic 1973 film, and countless concerts, adaptations, and revivals — including, nearly 50 years later, director Timothy Sheader’s acclaimed London production staged by Regent’s Park Open Air Theatre.Now, Sheader and choreographer Drew McOnie’s driving, modern-dress iteration is repping the musical’s 50th anniversary on a North American tour, currently anointing the Kennedy Center Opera House with dulcet voices and shredding guitars.Performed by a youthful cast wielding microphones and playing instruments, supported by a stellar orchestra stacked behind them on scaffolding, the show strikes an agreeable balance between concert and theater.“Our production is based off the original concept album,” says Paul Louis Lessard, whose gold-lamé-frocked King Herod is an impish delight in the show, challenging Jesus to prove himself the miraculous Christ. “The idea was, if you put on the record at the beginning of our show and pressed play, what you experience with our production is what it would be like to listen to that record all the way through without stopping.”Because the production’s focus is honoring Webber and Rice’s score, Lessard adds, “our creative team was very encouraging about every performer bringing themself to the role, and making the music the priority of the show and this interpretation.
metroweekly.com
The Criterion Channel: February Highlights
Bright Road (1953), Robert Wise’s Odds Against Tomorrow (1959), and 1974’s comedy Uptown Saturday Night, which the actor and singer directed. That film, in particular, is notable for its cast, which includes Belafonte, Sidney Poitier, Flip Wilson, Richard Pryor, Calvin Lockhart, Roscoe Lee Browne, and Bill Cosby.Also on the bill, Robert Altman’s 1996 jazz-noir Kansas City, in which Belafonte plays a gangster named “Seldom Seen.” The film also stars Jennifer Jason Leigh, Miranda Richardson, and Steve Buscemi.The channel is also highlighting the innovative independent works of Melvin Van Peebles, a one-man creative force who often starred in, wrote, directed, and composed his films.Of the four entries, the most notable are Sweet Sweetback’s Baadasssss Song (1971), in which a Black man outruns white police authorities (the score, by Van Peebles, was performed by Earth, Wind & Fire) and Watermelon Man (1970), a renowned social comedy starring Godfrey Cambridge and Estelle Parsons, in which a white bigot wakes up to find his skin has turned Black.Also on tap: The Harder They Come (1972), featuring reggae artist Jimmy Cliff as a singer who faces down corruption in Jamaica’s music industry.
metroweekly.com
Hot Picks: 7 things to do online and in IRL in the D.C. area
THE WASHINGTON BALLET: SWAN LAKEJulie Kent and Victor Barbee have been preparing for years to unveil a new production of Swan Lake. The married duo at the helm of the Washington Ballet — Kent as artistic director and Barbee as associate artistic director — had long planned for the quintessential classical ballet to follow, as Kent has put it, as “the logical next step in building the repertoire for the company,” following Giselle, Sleeping Beauty, and other kindred 19th-century romantic ballets in prior seasons.“Victor and I will curate and tailor the production to our company — drawing on our years of experience, the detailed [choreographic] notations, and various research — to present a wonderful marriage of dramatic theatricality and technical proficiency,” to quote Kent.Now, a full two years after its intended debut, postponed because of the pandemic, the company is ready to share the tragic love story set to Pyotr Ilyich Tchaikovsky’s powerful score and featuring the iconic choreography of Marius Petipa and Lev Ivanov — enhanced with additional staging and some refined movement by Kent and Barbee.The company’s dancers, including Adelaide Clauss as Princess Odette and Gian Carlo Perez as Prince Sigfried, will be aided by exquisite costumes and scenic design by Peter Cazalet and accompanied by a live orchestra conducted by Charles Barker to conjure senses of magic, intrigue, melancholy, and suspense — all in service to the Washington Ballet’s triumphant return to the Kennedy Center and specifically the Eisenhower Theater.Performances begin Wednesday, Feb.
DMCA