Sting: Celebs Rumors

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The Post’s official solar eclipse playlist: David Bowie, Pink Floyd, Bonnie Tyler and more

this epic power ballad, which hit No. 1 in 1983, the Welsh belter nailed the galactic pain of when the heart goes totally dark.If you don’t have some Ziggy Stardust up in your eclipse mix, then really, we can’t help you.This jazz- and falsetto-kissed bliss from “Rave Un2 the Joy Fantastic” — the late, great Purple One’s underappreciated 1999 album — is a cosmic chill-out.Of course, Harrison has kept us basking in the eternal glow of “Here Comes the Sun,” off The Beatles’ 1969 classic “Abbey Road.” But 10 years later, he flipped the script with this ethereal dreaminess from his 1979 self-titled album.Going from Policeman to jazzman in his early solo years, Sting worked all of his tantric sexiness on this moonlit serenade from 1987’s “…Nothing Like the Sun.”The “Uptown Funk”-ster breaks out his best street-corner croon on this swoonworthy tune — from “Doo-Wops & Hooligans,” his 2010 debut album — that is all the starry-eyed feels.The sunshine-pop quartet radiate peace, love and celestial on this song, which as part of a chart-topping medley with “Aquarius” won them the Record of the Year Grammy in 1970.On his breakout 1971 hit, Brother Bill captures the pitch blackness — and bleakness — when both his house and heart turn cold “anytime she goes away.”Chris Cornell — one of rock’s all-time greatest voices — left a black hole in the music world when he died in 2017.
nypost.com

All news where Sting is mentioned

nme.com
Sam Fender says getting Limmy’s approval was “probably one of the best fucking moments of my life”
Sam Fender has discussed how getting the approval of Scottish comedian Limmy was “probably one of the best fucking moments of his life”, as well as discussing working with the likes of Sigrid and Sting, and sharing advice for young songwriters.The North Shields singer-songwriter was in London yesterday (Thursday May 19), where he was awarded at the Ivor Novellos for Best Song Musically and Lyrically for his acclaimed second album ‘Seventeen Going Under’.As well as being named as NME’s Best Album of 2021 and winning both Best Album By A UK Artist and Best Album In The World at the BandLab NME Awards 2022, Fender has also recently won BRIT Awards among other accolades.Speaking to NME in the winners’ room about where he was putting all of these awards, he replied: “They’re in the pub! I got them turned into beer pumps! I think this one might come home. I might give this to my dad; I think he’d be really chuffed.”And what has he done with his NME Award?“I might turn that into a beer pump, or leave it in the pub for loads of dafties to do drugs off it,” he said.During his acceptance speech at the Ivors yesterday, Fender used the opportunity to pay tribute to his former manager at said pub, North Shields’ Low Lights Tavern.“A very good friend of mine passed away last week,” Fender told the audience.
nme.com
Sting sells entire songwriting catalogue for over £184 million
Sting has sold his entire songwriting to Universal Music Publishing Group in a deal rumoured to be worth over $250 million (£184 million).The agreement covers all Sting’s solo songs, including the likes of ‘Shape Of My Heart’, ‘Fields Of Gold’ and ‘Englishman In New York. The deal also extends to the songs Sting wrote for The Police, such as ‘Roxanne’, ‘Every Breath You Take’ and ‘Every Little Thing She Does Is Magic’.“I am delighted to have Jody (Gerson, Chairman and CEO of Universal Music Publishing Group) and the team curate and manage my song catalogue,” said Sting.“It is absolutely essential to me that my career’s body of work have a home where it is valued and respected – not only to connect with longtime fans in new ways but also to introduce my songs to new audiences, musicians and generations.“Throughout my career, I have enjoyed a long and successful relationship with UMG as my label partner, so it felt natural to unite everything in one trusted home, as I return to the studio, ready for the next chapter.”Gerson added: “So many memories from my youth are tied to the great songs written by Sting — whether it was first seeing the Police perform in Philadelphia or hearing his music on the radio or playing those albums until I wore them out.“I could never have imagined that someday I would get to lead a company that will be the guardian of Sting’s remarkable songwriting legacy.
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