“It would be better if I were dead,” the old lady laments to her even older husband in Gaspar Noé’s startling new film Vortex, and he makes no effort to disagree.
Even though its title might have worked just fine for one of the perennially youth-obsessed director’s previous films, here it serves as an indicator of life swirling down the drain.
This close-up look at a married couple on the brink of the inevitable introduces a surprising and demanding new chapter to the throbbingly flamboyant director’s career, which is normally preoccupied with sex, drugs and music.Stylistically, the nearly 2½-hour film, which was shown as a “Cannes premiere” and not in competition, is notable in that the two main characters, a long-married couple knocking
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