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Sofia Kappel Is Simply Phenomenal In The Thought-Provoking ‘Pleasure’ [Sundance Review]

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You’ve heard this tale of superstar dreams many times before. A young talent comes to Hollywood to make it in the entertainment business.

Along the way, they are faced with tough choices and question whether it’s really all worth it in the long run. It’s a story that’s been told from the perspective of actors, pop stars, and models, but the over-the-top exploits of “Boogie Nights” notwithstanding, the narrative depiction of a porn star’s rise has been few and far between.

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Sundance: Ninja Thyberg's Porn Industry Drama 'Pleasure' Lands at A24
A24 has picked up the U.S. rights to Swedish writer-director Ninja Thyberg's porn industry drama Pleasure after its world premiere at the Sundance Film Festival.
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Fran Kranz’s “Mass” is likely one of the most emotionally pulverizing films ever made about America’s gun-violence epidemic – but across its 110-minute runtime, not a single shot is fired. READ MORE: ‘Mass’: An Impressively Depressing Four-Way Powerhouse, Until the Walls Close In [Sundance] Instead, this intimate chamber piece centers on the parents of two teenagers involved in a school shooting, who come to the table six years later in hopes of finding a way forward from the unfathomable tragedy that’s ripped their lives apart.
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Take the nomad out of “Nomadland,” and you’re left with “Land,” Robin Wright‘s feature-directing debut (she previously directed 10 episodes of “House of Cards“), in which she also stars, as a grieving woman who, somewhat ironically given the film bows in the era of mandatory isolation, moves way up into the mountains “to get away from people.” Problem is, take the nomadic element out of “Nomadland” (she moves only once and has done with it) and you’re also left with a less interesting, much more obvious movie, in which not only are we not introduced to a radically different way of living, we’re ultimately confirmed in our safest and most simplistic assumptions about how we live right now.
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‘Mayday’ First Look: Mia Goth Teaches Grace Van Patten To Put The Boys In The Crosshairs [Sundance Exclusive Clip]
S.O.S distress calls, fantasy escape from trauma, and forever wars that need to be fought all swirl together in “Mayday,” a dreamy and surreal new feminist fairy tale and revenge film that debuted at the Sundance Film Festival this week. The feature-length filmmaking debut of writer/director Karen Cinorre, “Mayday” centers on Ana, a young woman who is mysteriously transported to an otherworldly and dangerous island.
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'Pleasure': Film Review | Sundance 2021
A young woman arrives from a distant land in the capital of a certain entertainment industry and ascends the ladder of success, only to lose a bit of her soul on each rung of the climb. That, of course, is the plot of Showgirls, but it's not like Paul Verhoeven, or anyone who's written a version of Faust, ever patented the concept.
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Sundance Review: Ninja Thyberg’s ‘Pleasure’
In the half-century since the “adult” film industry emerged as an above-boards legal activity, precious few legit feature films set in that world have emerged that a wider public has found edifying; the great Boogie Nights and not much else. The new Swedish drama Pleasure, a first film from young Swedish director Ninja Thyberg that was selected for last year’s ultimately canceled Cannes Film Festival and has now finally premiered, albeit virtually, at Sundance, now joins the short list of looks at the inner workings of the busy industry that are actually worth seeing.
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