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‘Son of Monarchs’: A Biologist Looks For Tranquillity In His Life Work [Sundance Review]

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As a child, Mendel explored the nearby forests of Michoacán, a state in Mexico, with his older brother Vicente. The trees there are filled with massive, beautiful clusters of monarch butterflies.

Their metamorphosis fascinated him throughout his life and, today, he studies the evolution of their wing design as a research scientist in New York City.

Finding a balance between the land of his birth and his promising future abroad is at the heart of Alexis Gambis’ dazzling new drama “Son of Monarchs,” which screened at this year’s Sundance Film Festival.

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New York Mexico Sundance Film Festival Tenoch Huerta Alexis Gambis Sundance 2021 Alex Gambis
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Fran Kranz Talks His Drama ‘Mass,’ Impossible Grief, And The Power Of Ann Dowd [Sundance Interview]
Fran Kranz’s “Mass” is likely one of the most emotionally pulverizing films ever made about America’s gun-violence epidemic – but across its 110-minute runtime, not a single shot is fired. READ MORE: ‘Mass’: An Impressively Depressing Four-Way Powerhouse, Until the Walls Close In [Sundance] Instead, this intimate chamber piece centers on the parents of two teenagers involved in a school shooting, who come to the table six years later in hopes of finding a way forward from the unfathomable tragedy that’s ripped their lives apart.
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‘Land’: Robin Wright Directs Herself Through A Familiar Wilderness Grieving Process [Sundance Review]
Take the nomad out of “Nomadland,” and you’re left with “Land,” Robin Wright‘s feature-directing debut (she previously directed 10 episodes of “House of Cards“), in which she also stars, as a grieving woman who, somewhat ironically given the film bows in the era of mandatory isolation, moves way up into the mountains “to get away from people.” Problem is, take the nomadic element out of “Nomadland” (she moves only once and has done with it) and you’re also left with a less interesting, much more obvious movie, in which not only are we not introduced to a radically different way of living, we’re ultimately confirmed in our safest and most simplistic assumptions about how we live right now.
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Sundance 2021 was the only virtual movie festival to get it right
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theplaylist.net
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‘Mayday’: Grace Van Patten Shines In A Dreamy Fairy Tale Of Escape & Feminist Revenge [Sundance Review]
Female trauma’s been given a serious workout in cinema, liberally exercised in the fantasy genre of late. The celebrated “Promising Young Woman,” while dark satire, uses hot pink revenge fantasy to acerbically explore unresolved trauma (its we live in a society bias nicely unpacked here), and fellow Sundance film, “The Blazing World,” attempts to fall down the rabbit hole of make-believe and similar flight-or-flight responses to emotional scars, only to grotesquely exploit it with its awkward tumble.
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theplaylist.net
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theplaylist.net
‘Mayday’ First Look: Mia Goth Teaches Grace Van Patten To Put The Boys In The Crosshairs [Sundance Exclusive Clip]
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theplaylist.net
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theplaylist.net
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