‘Tommy Guns’ Review: A Sinuous, Surprising Military Drama Wrestles With Portugal’s Colonial Legacy
Guy Lodge Film CriticPortugal’s colonial past in Africa continues to haunt some of the country’s most vital and subversive filmmakers. With his remarkable second feature “Tommy Guns,” Angolan-Portuguese director Carlos Conceição’s steps into the same precarious territory sometimes occupied by Pedro Costa and Miguel Gomes — borrowing, perhaps, a measure of the former’s visceral austerity and the latter’s shape-shifting playfulness, but mostly proving his own sly, supple talent.