Could Music for ‘Andor,’ ‘Obi-Wan Kenobi,’ ‘Mandalorian’ All Earn Emmy Nods?
Jon Burlingame Music has always been an integral part of the “Star Wars” universe, dating back to the John Williams scores for the original movie trilogy. So will Emmy voters recognize one, two or all three of the recent “Star Wars” TV series in the scoring categories? Vying for consideration: the 12-part “Andor,” with music by Emmy-winning, Oscar-nominated Nicholas Britell (“Succession”); the six-part “Obi-Wan Kenobi,” with a new theme by Williams and score by English composer Natalie Holt (“Loki”); and the eight-part third season of “The Mandalorian,” with music by Joseph Shirley. All aired on Disney+. Britell spent more than two years on “Andor,” the backstory of “Rogue One” hero Cassian Andor (Diego Luna), including several months creating music that was played on the set during filming – from the Time Grappler’s hammer-banging signals on Ferrix to the alien electronica in the clubs on Morlana and the amateur funeral band playing a dirge for Cassian’s mother in the finale.