Jim Burke: Celebs Rumors

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Bill Pohlad On ‘Dreamin’ Wild’ With His Third Feature As Director – Crew Call Podcast
Oscar-nominated producer Bill Pohlad has a long history of aligning himself with auteurs on award-winning fare—from Ang Lee’s Brokeback Mountain to Terrence Malick on the Palme d’Or winning The Tree of Life to Steve McQueen’s Oscar Best Picture winner 12 Years a Slave, and getting financially behind them with his River Road Entertainment banner. We talk with Pohlad on Crew Call today about his third career feature as director, Dreamin’ Wild, based on the New York Times Steven Kurutz article about the Fruitland, WA-based Emerson brothers whose dad literally bet the farm (mortgaging it to the tune of $100K) on the duo’s singing talents in the 1970s, and built them a studio. They didn’t make it initially — not until 2008 when the album they made some near 40 years prior, “Dreamin’ Wild,” was discovered by a record collector in Spokane, Jack Fleischer, and championed fervently. The record’s single “Baby” ultimately became a cult hit when it was covered by Ariel Pink in 2012. Casey Affleck plays Donnie Emerson, the aorta of the songwriting duo, who grapples with the mid-life crisis of finding some facet of fame, when all seemed forever lost.
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Bill Pohlad On Dreaming Big At Venice With Casey Affleck-Starrer ‘Dreamin’ Wild’
Stalwart indie filmmaker Bill Pohlad today premeres in Venice Dreamin’ Wild. His directing follow up to the critically acclaimed Brian Wilson film Love & Mercy also follows a music story, though one far less familiar. Casey Affleck, Noah Jupe, Zooey Deschanel, Walton Goggins and Beau Bridges star. When Donnie Emerson (played by Affleck and Jupe) was a teenager growing up on his father’s farm in Fruitland, Washington (population 791) he spent his days writing music and dreaming of becoming a music star. And everyone in the family became invested in that dream, including his brother Joe (Goggins) who became his drummer, and especially his father, Don Sr (Bridges). He mortgaged his farm to build a $100,000 recording studio, and more to help Donnie make and release his first record. It went nowhere and the bulk of the farm had to be sold when the loan came due. But 30 years later, the overlooked album was rediscovered by the music scene. Suddenly Donnie, who continued to struggle and write and play his music, had gotten a taste of his childhood dreams. But it comes with the guilt of failure that haunted him for years, and involves having to play the songs that meant something as a teen, but not as a 50 year old man who has evolved as a musician. And it is all true.
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