Peter Ustinov’s play Photo Finish, and in the mid-1960s she did a three-year stint on the daytime soap Love of Life, while also appearing in shows such as Naked City, The Fugitive and The Alfred Hitchcock Hour.
Her big-screen career began with Lilith in 1964, and several more decent parts followed that decade, including The Group, in which she played an aspiring writer, and Grand Prix (both 1966), for which she received a Golden Globe nomination as the wife of a Formula One driver recovering from a crash.
Jessica Walter’s meatiest role to date came in 1971 when she played the obsessive fan who brings deadly chaos to the life of Clint Eastwood’s DJ in Play Misty for Me.
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