By Anthony D'Alessandro Editorial Director/Box Office Editor When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office.
The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV.
To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2019, using data culled by seasoned and trusted sources. THE FILM GlassUniversal/Blumhouse Writer-director M.
Night Shyamalan had a surprise hit with Split, the 2016 thriller distinguished by James McAvoy as a psycho with 23 personalities and an ending that invoked the
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